Lucian’s work treads a precarious line between happy accidents and instructive failures.

On a material and process level, his work is an exploration of alternative means to create the hollow-ware “skin” using skeuomorphic borrowings from clothing and inflatable dinghies.

Conceptually his work is informed by preoccupations with luxury and abundance; the divide between beauty and ugliness; perfection and sterility; playfulness and seriousness.